Laura Vilar Dolç // Summer_22

Laura Vilar Dolç // Summer_22

Contribution to Resonance

In the thought-experience of the dancing corporeity, I am interested in the qualities of the barely movements of attention, forming part of a complex and open kinetic system that is related by vibration and frequency, between and with other resonant bodies (human and non-human). These, as relationship spaces, show the apparently disorganized processes of simultaneity that build a feeling-experience-co-creation-becoming in themselves and which in turn are the antecedent and imbalance of the next establishing instant. How to get hold of a moving body placed on the edge of disappearance?


BIO

Laura Vilar, dancer, choreographer, teacher and researcher, interested in the encounters between theory and practice, is currently a PhD candidate in Dance Philosophy at the UAB. She is a member of the teaching team for the UAB Degree in Philosophy and the Master's Degree in Artistic Research and Design, EINA-UAB.

She co-directs nunArt, an artistic research center in Barcelona, and is part of the Department of Dance Pedagogy at the Institut del Teatre de Barcelona, where she teaches different subjects. She has been director of the Vocational Training of Area dance school since 2017. She has taught nationally and internationally in different art centers such as: CODARTS Rotterdam, Saineb Dance Istanbul, Linz Anton Bruckner University, nunArt, Area, Varium, La Caldera , among others.

As a professional dancer she has worked in companies such as: Compagnie Taffanel, based in Montpellier (2003-2010), Cobosmika Comany (2006-2013), with which she worked internationally with the company of Russell Maliphant. And others: Hermanas de Castro, Trànsit de Maria Rovira. (2000-2001), La Inconnexa by Anna Sánchez. (2002-2003) Lanònima Imperial directed by Juan Carlos García. (2004.) Comedians, by Joan Font. Salvatge Cor, theater-dance company of the poet Albert Roig. 2006-2008. Dance Theater of Ireland, by Robert Connor and Loretta Yurick in the production of Handle with care, 2010.

As a creator, she has presented various pieces, such as Sanjiao, (2018), Voyager (2019) and is currently working on 'Attempts to (dis)appear: performance between_about_from a dissertation', In residence at Im_Flieguer, Wien, (2021-2022).


Original image: Triny Reinoso